Six
in the Morning in Santa Cesarea Terme, Italy
Early-Morning
Snap Shots
November 2008

I
recently rode my bicycle to Santa Cesarea Terme, a stunningly
beautiful village on the Adriatic coast, about 50 kilometres
south-east of my home in Lecce. Unpacking my bags from
the bike in order to check into a small family-run pensione,
I called out across the street to a man setting up a
few outdoor tables, 'One for dinner, chill me your favourite
local white. A fiano if you have it'. Not an hour later
I was checked in, unpacked, showered and half way into
a plate of the cavatelli and clams, the fiano going down
far, far easier than it should have. Next was a grilled
sea bass longer than my forearm, served with toasty little
nuggets of roasted potatoes, so crunchy as to drown out
the voice of Mina coming through the crackling speakers.
I was in bed before 10 p.m., having limped up the hotel
stairs a lot like John Wayne.
These are the pictures I took the next morning, over the
course of about 20 minutes, just after the hour of six am.
My legs were still stiff but I never recall a more beautiful
morning, the entire town smelling of fresh baked cornetti,
rich, foaming milk and the way we roast espresso down here,
when the flavours leave coffee and start to head towards
that of bitter chocolate.
If you let your mind drift over the Italian peninsula, down
the right side, you'll pass Pescara, then Bari, then the
city of Brindisi and her overloaded ferries to Greece.
Continue on and you'll eventually arrive in our stunning
city of Lecce, a blonde city that seems to almost shimmer
at night. But keep on still and you'll find Santa Cesarea
Terme, a town virtually unknown to non-Italians, and even
then, only for very, very brief periods during of the height
of summer.
The 'For Rent' signs everywhere here in the south reveal
two local, driving fixations: the desire for more disposable
income, and the absolute rejection of selling off the family's
historical home, no matter how many generations have passed
since any family actually lived there.
Palazzo
Sticchi betrays the often oriental leanings of this part
of Italy, when Moorish, Turkish and even Persian elements
no longer bother to stand out as foreign or even non-Italian.
And
it's interesting to see how an outsider takes this in,
this foreign influence. Here in Italy, 'Italy' is often
seen as stew created by foreign influences, while foreigners
see buildings like this as a fleck of something foreign
that doesn't really belong here.
In
nearby Otranto, local guides routinely recount the horror
stories of Turkish invasions, when Turks came into town and
decimated the populace, one that has never really recovered
even today, six hundred years later.
It's a form of irony, this telling of the story, told while
standing in Christian churches filled with line after line
of columns and capitals, all taken from the Islamic parts
of the Mediterranean, rarely without a fight.

The
craggy shore is always a sober reminder of the ongoing
dangers of fishing for a living, something you'll never
actually hear discussed by fisherman themselves. Simple,
spartan chapels dedicated to local fishermen dot the coasts
here, the air of the sadness of loss every bit as constant
as the pounding waves.

Wet
cement often captures a moment, a simple gesture, a distinct
and unrepeatable act that otherwise would have been forgotten
as insignificant.

A
flock of starlings flew together in formation, in low,
gutsy patterns, every bit as impressive as an air show
put on by muscle-y fighter jets.

When
I couldn't stand it anymore I stopped into a bar and bought
a bag of steaming cornetti, the Italian version of the
croissant. 'Sei minuti fa', said il barista, beaming. It'd
been a while since I'd had a cornetto only six minutes
old. He loaded them into the bag with the same amount of
pleasure as though he himself were the person about to
eat them.

I
stepped down to the shore and watched the fisherman for
an hour: I ripped and ate from the white paper bag, which
was rendered shiny and translucent in spots by the fresh,
buttery pastry.
I'm
often asked what is that I like so much about Southern
Italy, when other parts of Italy are more famous and tourist-ready.
As I rolled around the torn pieces of cornetto in my mouth
and smelled the nubby little cigars of the nearby fisherman,
the smell of the briny sea, the sounds of a puttering Ape,
remembering the dinner I had the night before, I thought
this: If you have to ask, you've probably never been here.
Già da
cinque anni, The Awaiting Table Cookery School è una
scuola di cucina salentina, situata nel centro storico di
Lecce. Il proprietario, dott. Silvestro Silvestori, promuove
i vini (solo di uve autoctone), i prodotti tipici e la
cultura del Mezzogiorno sul mercato anglofono. Lo scopo è quello
di aprire nuovi canali commerciali facendo da ponte tra il
sud ed il resto del mondo, al fine di superare le barriere
linguistiche e culturali. Per incentivare questa politica
di promozione, Silvestro punta sul miglioramento qualitativo
della produzione nostrana affinchè possa essere
autenticamente concorrenziale, cercando di coinvolgere
i produttori locali, poichè si sa: "l'unione
fa la forza!". Entro
il 2009, Silvestro inaugurerà una nuova scuola per
promuovere i vini e le uve di tutto il sud (la Puglia, la
Sicilia, la Basilicata e la Calabria). Per maggiori informazioni
potete scrivere allo stesso indirizzo e- mail.
To
see our 2009 calendar click here
Fotografie
e testo, Silvestro Silvestori, Novembre, Lecce, Italia.