How
to Really Really See Rome
December 2008

Rome
IS an incredible place:
Everything you've read about it is true. It's stunningly
beautiful, full of art and architecture, spanning thousands
of years. Turn a corner and there's a palazzo from the 14th
century, another, something Pre-Christian, another, and you'll
see one of the wonders of the world, the concentration of
things quite literally overlapping one another.
And even with the millions upon millions that visit Rome
each year, you can still find moments that feel authentic,
intimate and completely yours. The hole in the top
of the Pantheon seems all the more real as rain falls
through it, and on the rarest of occasions, snow. Today
when I visited, tiny balls of hail fell through the
hole, bouncing on the marble floor below. The sound
was unmistakable to all of us: The snapping of a thousand
pearl-necklaces. Even the three year-olds that ran
in circles, their arms out like airplanes, plainly
knew that they were experiencing something very special.
'E come sta la mamma', was the first thing
this man said to me as I sat down to lunch today at what
has become my favourite restaurant, ever since I started
coming here, well over 20 years ago.
This is Luciano. I came to Da Valentino when I was a a poor
student, draining the bread basket enough to embarrass myself.
He never flinched. I came as a high-school teacher, taking
up the other side of the table with papers and books. I came
as something of resident, when my best friend and I rented
a place here for 11 weeks, that summer that so many died
from the heat. I've brought famous food and wine writers
here, the majority of my siblings, and my parents too, each
loving the place for what it is: A genuine Roman trattoria
nearly unaffected by time.
And although I have a warm spot in my heart for Luciano,
my mother has something that approaches an innocent crush
on him. Even if years occasionally pass between her visits,
it's always the first place we go when in Rome. She and I
will enter and sit down together, grabbing a simple table
in the corner. Sooner or later Luciano will approach, announcing
the specials and their eyes will lock. There will be that
moment, the flint-spark of recognition. He'll stop in his
tracks, extend out his arms as if wading in high water. He'll
take in a deep breath and begin to sing, the tambour of his
gentile voice as soft as an old worn brown leather satchel.
Today the rainy cold entered my bones and I
told him so. He suggested a bowl of minestra pavese, a light
chicken broth, in which the cook has floated toast points
and cracked a raw egg. It did the trick, long before I ruptured
the yolk which filled the bowl with a colour normally reserved
for sunsets.
'Menus are for those that like to have something
to read, rather than those that want something to eat', he
says. And it's true. Those that really love the place never
ask for menus, but rather treat the meal as a series of negotiations.
Rome, and its region of Lazio, are decidedly
white wine country. Order the house white in most places
and they'll bring not white wine but yellow. They're simple
wines, not something on which to pontificate. Here it's an
almost Marxist beverage, something much more proletariat.
I never really feel like I'm in Rome until the first sip
passes my lips, putting me completely at ease.

Depends
who you ask but Rome is either the most Northerly Southern
city, or the most Southern Northern one. Either way, the
food of Rome always strikes me more as southern rather
than northern, if only for the fixation on really good
extruded pasta, something that northerners almost never
get right, even here in Italy..

All over the world children pass precise and distinct moments
that stay with them forever, when their culinary GPS's
are set to an unshakable default. If you want to know
what yours is, ask yourself what you'd like to eat when
things are not going well for you, when the world feels
like an assault. For me, it's beans. I often feel it
the other way too, that the more I crave them, the more
stressed I am, whether I happen to know it at the time
or not.
Today it's tempting to think of yesterday's travellers as
having been forced to eat beans out of convenience. To those
of us that really, really love beans though, it might just
have seemed like a great way to pumice down the rough edges
of hard days of travel, that at least with dinner came a
well-earned sense of familiarity.

This
is Giuliano. He came to work here when still a teenager
and has been here every since. To those of us who are bachelors,
he's the perfect waiter, as he always makes a fuss over
my dinner companions, making each over the years feel special,
as if her having dinner here with me was all but inevitable,
the final threshold.

All over Italy dishes are given place names,
as though a dish were created in a place and then came to
be so successful as to slip the bonds of place, becoming
national or even international. The truth though, is that
often a dish is named after a perception of how others do
it over THERE. Take this cotoletta milanese. No one here
in Italy thinks of the dish as coming from Milan, anymore
than adding parsley to a dish changes its origins to that
of Genoa. (The later is more an observation on the supposed
stinginess of the Genovesi, rather than, say, their love
of parsley).

I
finish with a bitter drink, my favourite here called vipero,
perhaps for its sting. It's a medicinal flavour, virtually
impenetrable for those not accustomed to finishing a meal
with something bitter.
Leaving I thank Giuliano and Luciano and mention that I'll
be back in three weeks. Then three weeks after that. Then
twice two months after that. 'See you then', says Giuliano,
kissing me on the cheeks. Luciano touches my cheeks as he
kisses me. 'We'll be here. We'll always be here'.
Someday
I hope to start my own family and bring them here. I suspect
there will be a precise moment when one of my little ones
will look up into Luciano's eyes, just as he begins to
sing to her, songs written when radios still had tubes
and men all still wore hats. 'Papà, papà',
she'll say. 'He remembers me'.
For those of you who will be attending our courses next
year, you'll be given access to The Inner Sanctum, hidden
pages on our site, unavailable to those that have yet to
book. The Inner Sanctum is filled with insider information,
of places to stay, things to eat and people to meet. If you're
coming next year, we'd be delighted to call ahead for you,
booking you a table in Rome, or anywhere else here in Italy.
Luciano and Giuliano will be tickled to meet you. So will
we down here in Lecce.
Già da
cinque anni, The Awaiting Table Cookery School è una
scuola di cucina salentina, situata nel centro storico di
Lecce. Il proprietario, dott. Silvestro Silvestori, promuove
i vini (solo di uve autoctone), i prodotti tipici e la
cultura del Mezzogiorno sul mercato anglofono. Lo scopo è quello
di aprire nuovi canali commerciali facendo da ponte tra il
sud ed il resto del mondo, al fine di superare le barriere
linguistiche e culturali. Per incentivare questa politica
di promozione, Silvestro punta sul miglioramento qualitativo
della produzione nostrana affinchè possa essere
autenticamente concorrenziale, cercando di coinvolgere
i produttori locali, poichè si sa: "l'unione
fa la forza!". Entro
il 2009, Silvestro inaugurerà una nuova scuola per
promuovere i vini e le uve di tutto il sud (la Puglia, la
Sicilia, la Basilicata e la Calabria). Per maggiori informazioni
potete scrivere allo stesso indirizzo e- mail.
To
see our 2009 calendar click here
Fotografie
e testo, Silvestro Silvestori, Novembre, Lecce, Italia.