September
2005
The
Awaiting Table Newsletter,part 5 of 10
Gracious Antonio,
His Granite and What They Represent to You, Exactly.
If
you close your eyes and squeeze them hard enough, you can already
see the place I’m talking about, that small and immaculately
kept, Old World café, you can all but smell the espresso.
There’ll be those thick, elegantly etched aperitif glasses
and solid espresso cups older than you are, the hand-painted
signs, their blocky typeface clearly from the Fascist era.
There will be ancient, funny-shaped bottles that line a back
mirror. The music will always be a sort of slow Tango and mix
perfectly with the sound of coffee cups clanking against one
another, mimicking a finger flutter on the highest two keys
on a piano. An espresso machine will hum and hiss. And a dignified
and efficient bartender, someone that seems to be born for
the job, will be there, treating your every need like it was
the most sensible and well-chosen request in the world.
At our cooking school here in the south of Italy, this is actually the
bar where we start each day: it’s where we gather together, first
thing, to discuss yesterday, today, where we laugh and essentially wake
up together over caffeine and fresh pastry, only to eventually refocus
ourselves towards today’s trip to the market. In the cooler months
the owner, Gracious Antonio, likely the sweetest man you’ll ever
met, serves us espressi and cappuccini in cups hot enough to blister a
lip, the way coffee is consumed here (they’re actually boiling in
water behind the bar). In the summer months we bump up our visits to twice
a day, for his famous granita, easily the best you’ll ever have.
They’re excellent, yet still, what I'm about to tell you about them
will likely forever change just how you feel about granita and even more
so, about my little town of Lecce, Italy.
‘I
was nine when I started working here’, he says, his
smiling eyes meeting my gaze, his bar towel in constant motion. ‘I
learned to make granita from the Gentleman from Sicily. Of
course that was back before la Coca-cola, la Fanta. He taught
me all three kinds, il limone, la fragola and il café,
your favourite flavour’. I stop to scribble in my notebook,
first in English, then switch to the Italian when I notice
how much gets lost in translation, things like, la vostra
preferita- your favourite flavour- a reference to me in the
plural, a staggeringly formal gesture, yet not uncommon here
in the South of Italy, and that he always refers to the man
as il Signore della Sicilia, rendering their relationship
oddly feudal.
Without
a word he places a coffee granita on a small plate in front
of me, the tiny spoon hitting the plate with a clink. Within
seconds the glass begins to sweat. I rupture the cream cap
and plunge in the spoon, pulling out a little of both the
black and orange-flecked granita and the fluffy-white cap
of cream on top. I situate my shoulder blades directly over
the glass and lay the spoon’s contents on the surface
of my tongue. Instantly, the texture combination startles
me: the slightly sandy mouth feel of the sweet coffee flavoured
crystals, contrasting perfectly with the silky and luscious
unsweetened, hand-whipped cream. Half of the spoon’s
contents melt immediately, half remains unctuous and rich.
I take another spoonful. Even the temperature difference
is pleasing, the play between the refrigerated cream, and
the ice shavings, straight from the freezer. It is, in a
word, perfect. No other food I can think of even comes close,
so simultaneously contrasting- in the texture- and harmonious-in
the flavours. No rocket scientist or Catalan chef could have
ever come up with anything better than this.
He
pours me a glass of tepid water, the anecdote to any potential
head rush. He spins to make an espresso for a recently-entered
signora and I take another spoonful. After two of these a
day, four months of the year, and I already know enough to
know that I’m only about 15 seconds away from the jolt,
like a quick kick in the back of my skull, when the caffeine,
sugar and brain-freeze all Hockey check my system at the
exact same moment.
‘So
when do you sell the most granita’, I ask, ‘August?’ ‘August
I barely sell any’, he says, smiling. ‘Only the
Leccesi order granita, and then they usually head for the
seas come high summer. Younger people now days seem to prefer
the kind that turns in the square plastic tumbling machine
on the counter, the kind made from silver packages, don't
you know*. I guess they like to see the machine’. I
search his face as he says it, but there is none of that
grandfatherly, kids these days. ‘Maybe it’s because
you can see the machine on the bar’ he says again,
like it’s the first time he’s ever thought about
it.
But
it isn’t. It actually weighs on him. Heavily. It’s
this kind of quiet dignity that makes me so fond of Gracious
Antonio, it's why I always leave his bar feeling better than
when I walked in. That, and that he openly and genuinely
weeps when our students bake him cakes and cookies. Then
just like a cold germ, the weeping and emotions surge through
the room and all the hugging and kissing can go on a good
ten minutes. The blubbering is such that I usually just wait
outside, looking cool leaning up against the wall, doing
my best to ignore the hard dry knot that I can never seem
to swallow.
‘I make three flavours of granita, all three by hand. The older Leccesi
come, their children, don’t you know*, less so. Of course I realize that
I’ll never be able to compete with the large-scale places with 50- meter
long glass cases of different flavours. But it’s what I do, don’t
you know*. For those that still want it, I’m here.’
I
take a seat just as the rush hits me, and begin to scribble
in a notebook.
It will not surprise you the reader that he starts his granite from scratch,
buying both the lemons and strawberries from his nephew Simone (yes, that
Simone, our trusted greengrocer, from Two Steps Away, Part One. Back issues
are available on the site). He makes and maintains them throughout the
day. He’ll juice the lemons by hand while chitchatting with a visiting
symphony conductor, crush the strawberries and strain out the seeds while
calling out the liquor order to his wife, and then later, when it’s
slow, he’ll load the espresso machine, using the famous café Quarta,
a extraordinary local brand roasted right within the historic centre of
Lecce. For the rest though, he’s not telling. Nor me either.
The
thing is, is that this is not just another quaint story about
some little old guy that does things the old-fashion way.
It’s actually the opposite of that, if only because
Gracious Antonio is something of a renegade. What he is attempting
to do is decidedly modern, the way of the future.
When
my best friend (and business partner) and I started our simple,
little school here in Italy, we had only one steadfast goal
in mind and although we wouldn’t have called it that
at the time, it’s what business people would call a ‘mission
statement’. And it was simple, Reinforce, Never Dilute.
It may sound obvious, but on deeper inspection it changes
everything.
For
starters, despite its history spanning 70,000 years, Lecce
is also a modern city and of course does have a new large
gelato parlour, with long and industrial banks of pretty-coloured
ice creams in the gamut of flavours, everything from ginger
to rice to passion fruit. Their banana gelato is yellow and
if you’re not alarmed by that, you probably haven’t
thought it through. The staff there is young and wears nametags,
most likely because they need to. It’s not that the
place is remotely substandard- savvy New Yorkers and Londoners
would line up out the door, even at ten times the Lecce price-
it’s just that each time one of us visits there, it
weakens what makes Lecce special. Like all erosion, it’s
not sudden or obvious, but one day you just wake up and what
used to be here yesterday, isn’t any longer. And again
like erosion, once it’s gone, everything else starts
to break apart.
And
Reinforce Never Dilute goes much, much deeper, than just
some culinary artisan named Gracious Antonio. Salutations,
Good day Madam, Good evening, Please, Yes, No, Thank you
very much, I would like two kilos of Artichokes, Hey Sandro,
Shut up already and give me 5 metres of sausage casings.
By Day Two of standard week, we make a point of teaching
our students enough Italian to chitchat with shopkeepers,
greet people in the street and even give it back to our wisecracking
butcher (who howls and just adores it). As our lessons are
always already bilingual, those with past experience in the
language go even deeper, using the week as a full immersion,
actually spending their entire time here in the Italian.
Yes, it would be easier just to follow the rest of the travel
industry, to teach our vendors the same phrases in English,
to ask them to dance for the tourists and ham for the cameras.
But like catching butterflies in a net, at that point you’ve
already destroyed the thing you came to see.
If
you still doubt there is something special going on down
here in Lecce, let me go a little further and tell you what
Antonio’s granite really mean to you. After fifty years,
he may stop making them.
Italy isn’t the static place that most of the tourist trade says
it is. It’s changing, it always has been, just like every where else
in the world. Your presence here in Italy can and does change the place.
When we think about this, it’s usually only in the negative sense,
which may be why we rarely see ourselves as culprits. You often hear people
complain that tourists have wrecked Florence and Venice. Tourist are always
easy to spot because you can define them by ‘everyone that was there
except me’.
But
a foreign presence can also conserve, salvage and even foster,
if it’s focused right. When I take the staff and students
out for granita everyday it draws attention- the group of
us laughing and eating, giddy from the kick. Locals will
pass and ask Gracious Antonio what’s going on and suddenly
something that seemed dull and drab to the Leccesi compared
to, say, ginger-flavoured gelato, seems new again. ‘You
came all this way just to have one of Antonio’s granita?’ they’ll
ask, ordering one, realizing that they do in fact have not
only something worth eating, but something worth saving.
Gracious Antonio is now selling more of them, even if you
deduct all the ones that my money buys. That, of course,
is the goal. We could lecture other Leccesi about eating
ice cream made from powders from silver packages, or even
get high- minded about it, stating that every act of importation
is actually a rejection of the local. Worse, we could eat
it ourselves. But there’s another way too. And that’s
where you the reader come in.
Reinforce
Never Dilute also means that, aside from never importing
ingredients from other regions- Chianti, Aceto balsamico,
parmiggiano reggiano, Barolo, San Pelligrino- that we cook
and consume only the local products, many of which are no
longer available even half an hour car ride from here. Some
coo over lemons from Simone’s uncle’s tree, or
tiny artichokes that we pick ourselves from Lilli’s
grandfather’s fields, but that’s only a small
part of why we source our school the way we do. As the only
full-time cooking school in all of Puglia, and most of the
south, we’re in a unique position. Not a day goes by
where I don’t work intimately with a very small producer
on his or her way from a small field and tiny tractor to
a consistently- high quality product, up to the national
and international standards, but perhaps even more importantly,
towards something indicative of here, something that reflects
what makes this part of Italy so special. And while many
of these producers use our school as the first testing ground-
the first people to taste their products that aren’t
blood relatives- we never serve anything at the school that
we didn’t actually pay for.
'Reinforce’ dictates
that paying for quality is the best way to guarantee that
it will be there tomorrow. And more importantly, it provides
the dangling carrot to any producer that currently isn’t
there yet, actually creating more of it for everyone to enjoy.
Reinforce Never Dilutes guarantees that you the reader, your
very presence here in Lecce actually preserves traditions
and local food ways. Contrast this, with say, a cooking school
in Tuscany, where the myriad of schools weaken the local
cuisine by teaching things like pasta (contrary to the perception,
there are virtually no Tuscan pasta recipes that go back
further than the arrival of television) and other pan- Italians
foods that have nothing to do with the lives of the locals.
These students apparently don’t know enough about the
situation to get angry.
‘Another
one’ asks Antonio when he and I are alone again. ‘You
have students coming in September right?’ ‘Yes,
and many already reserved for next summer too’. ‘Will
they be coming for my granita?’, he asks. ‘Yes’,
I say, 'we'll be here everyday. Count on it'. I close my
notebook and head for the cash register, where for two Euro
and twenty-five eurocents I can buy something much bigger
than any bar glass can hold.
For
those that come in the months of June, July or September,
you will have one of Gracious Antonio’s excellent granite,
everyday, on us. You’ll meet him, get to know him a
bit and perhaps get a first- hand understanding that good
food traditions in Italy, just like in your home country,
can’t survive neglect.
*Non sai is Italian for Don't you know, and if you ever hear anyone end
all his or her sentences with the tag, you can be certain of his or her
origin, the speech tick being so closely tied to the Leccese. We'll have
you saying it too. The great culinary scholar Sidney Mintz maintains that,
Every nation has the food it deserves. Chew the phrase for a second, then
notice that ‘deserves’ is in the present tense.
Work
the Olive harvest, Stay in a castle. We still have space
in our olive harvest course, where for one week you’ll
actually give something back to the nearby Mediterranean
while deepening your own knowledge of the olive as a fruit,
and olive oil as the world’s greatest elixir. We’ll
work alongside farmers, wear rubber boots; maybe take a turn
on a tractor. Still green and cloudy and unbelievably fruity,
you’ll eat the new oil over semolina bread toasted
over an outdoor fire, taste firsthand what the stuff does
for grilled lamb and sea bass. You’ll meet the Baron
himself, learn his favourite recipe. The castle, our cooking
school here in Lecce, Italy.
Located in an 18th century aristocratic palace in the historic centre of
the South of Italy's prettiest city, The Awaiting Table offers Day and
Week-long courses, based on small classes of hands-on cooking and individual
attention. If you'd like to see a different part of Italy, and see it in
a different way, we encourage to find out more by clinking through to our
site. You can also contact us simply by replying to this email. And don't
forget to forward on this to your friends. They'll be thankful and you
never know when you might need a kidney.
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