June
2005
The
Awaiting Table Newsletter,part 3 of 10
Super Conductor
Two Steps away from my place in Italy, there is a public market run by
this man, Silent Luigi. What's interesting is that he doesn't receive a
paycheck, doesn't ever micromanage the other vendors or pull rank on anyone,
ever. In fact he rarely ever even speaks a word.
And
if you're new in town, it might even appear that Silent Luigi
is just some old curmudgeon that shows up each morning to
sell the three or four products that he grew or gathered
himself, awaiting his customers in a Zen-like silence.
But
take your time, take step a closer: you might even come to
see the man as the market's studied and accomplished conductor,
laying out its seasonal tempo in elegant, syncopated
rhythms and tenderly- held fermatas.
A
quick glance at the back of his leathery and weather-cracked
neck will tell you that Silent Luigi has been bent over in
his fields, all his life. He also talks like just about every
farmer you'll ever meet, in that he doesn't. In the last
year, I've heard him say only a dozen words or so, and I
buy something from him everyday of the week except Sunday.
Today
I think to ask him how long he's been selling his produce
here, and my question catches him off guard. He just stares
at me for a good thirty seconds. His hand comes out to his
side, stopping waist- high, indicatating a child's height.
He fixes his unflinching eyes on me in perfect silence, not
unlike Clint Eastwood. It's awkward, the silence, and I suddenly
become very aware of the sound of meat cleavers coming to
soft, thudded stops in the wooden blocks behind me. Customers'
voices. A bubbling and rumbling ape outside. Half a painful
minute just passed. 'I was ten', he says, and a childish
grin slowly spreads across his face. It's the kind of grin
that reveals that he's not just thinking about that part
of his life, but actually revisiting it: the energy of a
big public market as seen through the wide eyes of a ten-
year old boy. We stand here together for a few minutes, neither
of us saying a word but both of us thinking about our beloved
Lecce, seventy years ago. When he meets my gaze again, his
eyes are milky and heavy. 'I used to chase chickens here',
he says, the grin widening into a smile.
When
I first starting working on a series devoted to the vendors
that supply my school here in Lecce (for a map of the South
of Italy, click through to the site), I intended to write
first about Silent Luigi's produce, as they represent the
Salento like those from no other vendor I know. The only
problem, was that each time I took the pictures, wrote the
text and figured out how to work the software, those products
were gone for the year, replaced by new ones.
As
winter's tightly-wound, white-green cabbages ebbed into the
myriad of forms of bitter chicory, as fecund mounds of cime
di rape silently gave way to red, red radishes and black-green,
cat's-tongue- leaves of arugula, as the fading flowers of
the departing artichokes made space for the sweet pea pods
of spring, there was Luigi, marking time and reminding the
modern Leccesi exactly what they should be eating. And when.
Because
if Puglia had a culinary backbone it'd certainly be boiled
bitter greens. To the uninitiated, they're remarkably unsexy
and uninviting in their natural state, like someone sickled
an abandoned field and was now offering up the bitter clippings,
rather than bagging them up for the trash heap. Luigi's will
always have a few small snails still stuck to them, the morning
dew beading on the leaves. They'll need to be trimmed and
then washed and washed and washed and then boiled. The results,
though, are Italy's Soul Food, something so profoundly satisfying
that it's been repeated ever since the invention of pottery.
And like 'poor' food everywhere, it's edible alchemy, producing
the exquisite and cherished where other cultures would see
only sad and barren fields.
It's
also curiously, both a very ancient way of staying nourished,
and a very modern one, closing the gap between the very poor
and the very rich. Close your eyes and think about your local
grocery store in England, America, Australia or New Zealand,
and chances are the most expensive greens on offer are not
that different from Silent Luigi's.
But
for as much as I love Silent Luigi's produce, it still used
to present very real problems for us.
While it's true we have something of a core programe at the school- dishes
that thrive independently of the seasons- it was Silent Luigi's seasonality
that tripped us up more than anything else: Imagine trying to plan a menu
weeks or even months in advanced, based on fresh, seasonal vegetables and
then taking your guests to the market to buy, say, artichokes. You round
the butcher's case and there is Silent Luigi, giving you that a sideways-
held 'pistol' gesture, wobbling the thumb-part of it towards his body.
It's classic Italian for, No more, Not going to Happen and You're out of
Luck. This week last year we may have had artichokes, this year, 'how does
everyone feel about chickory?'
The
thing is though, is that over time, no one, not my mother,
my grandmother or any pedigreed cooking teacher has ever
had more influence on my cooking.
Not
long ago, an excited student asked me to tell Silent Luigi
about a new, upscale restaurant that had just opened a few
hours from her hometown. It had made the national papers,
I translated. Everyone was there. It was a big deal, she
had me say. 'The thing of it is, is this place only, only
offers foods that are local and in season! If it's not from
near there or not in season...They won't make it!', she said.
I let her words sink in as I searched his face, thinking
of the best way to translate the last sentence, already knowing
that somethings just can't be translated. I would have had
the same luck sharing her excitment that, back home, their
boats now traveled in real water, or that they had just voted
and decided to keep the sky blue.
Today,
he completely fills my large bag with his fresh peas, still
in the pods, just like he did yesterday. And like yesterday,
I plan to spend a good part of the morning, shucking them
in the sunny garden while listening to Chet Baker, lost in
rowdy and rambling conversation with my assistant, la Lilli.
Making an event of shucking Luigi's peas has become something
approaching a yearly ritual, as real as the gorgous explosion
of my bougainvilleas out the school's stable door, or the
pleasent but sudden appearance of Latin-lengthed mini-skirts
and teasingly-open- toed shoes. It's the thing that reminds
me, that here in the city of Lecce, we're in that gentle
space, the loving cusp, the time when the world seems to
be waiting for the hand-signal, to ease from late spring
to early summer, from eager May to giddy June.
A
family passes me on my way out and the 12-year old daugher
yells, Piselli as she bellys up to his humble mound of vegetables.
Silent Luigi slowly stands and begins to fill yet another
bag, and just as I spin to walk out, I'm pretty sure I see
the conductor smile.
In
Italy you can always tell how your greengrocer feels about
you by how much of the 'waste' he or she trims away (always
with a serrated butter knife) BEFORE rather than AFTER he
or she puts your produce on the scale. When you visit Lecce,
be sure to notice Silent Luigi's technique.
Recipe:Just
about any bitter, bitter green will do, but anything that
tastes and looks like dandelion leaves is ideal. Separate
the stems, the white from the red and toss the red. Cut into
finger-sized pieces. Wash in cold running water. Wash in
cold running water. Wash in cold running water (the smaller
the greens, the closer to the ground they grow, the closer
to the ground they grow, the more likely that they'll contain
sand and dirt). Boil the greens much longer than Nouvelle
would have you to do. The cooking time varies with species
and age of the plant, somewhere between five and fifteen
minutes. Remove and shock in ice water. Drain well. Sauté whole
garlic cloves in best quality extra virgin olive oil, add
a whole, crushed chilli pepper. As the garlic begins to take
on colour, add the greens and sauté until warm. Serve
hot or at room temperature. Serve them with a purée
of fava beans, a clay pitcher of Salice Salentino and challenge
your agnosticism.
Last
Minute Travel options for the following dates: To keep our
school small, intimate, genuine and hands-on, we limit our
courses to only six participants a week. June 19th- 25th,
two places remaining. July 3rd-9th, two places remaining.
September 11th -17th, two places remaining. And places remaining
for guest instructor, award- winning cookbook author and
authority on the cooking of the Mediterranean, Clifford Wright,
September 25th-October 1st, AND October 2nd- October 8th.
Question: would you or someone
you know be interesting in a winter course where we actually
work the olive harvest alongside the locals? We'd stay
in a beautiful estate, cook and harvest together, with
trips to olive mills and wineries thrown in for good measure.
If you're interested, write us right away and we'd like
to create a special week, unlike any other, anywhere else.
Space would be limited to ten students. We'd supply the
knee-high rubber boots and the flasks of grappa. To enquire
or register, simple reply to this email.
Do
you have friends that are interested in good food and where
it comes from? What about those that would like to take a
holiday this year but have yet to book? www.awaitingtable.com
Testo e
fotografie (e pure, l'orecchiette) da Silvestro Silvestori, Lecce,
Italia, giugno, 2005
Back
to top
Located
in an 18th century aristocratic palace in the historic center
of the South of Italy's prettiest city, The Awaiting Table
offers Day, Weekend and Week-long courses, based on small
classes of hands-on cooking and individual attention. If
you'd like to see a different part of Italy, and see it in
a different way, now you have an alternative.
To sign up for future newsletters, click here - Mail
List Signup.
Back
to top - Previous
Page |