aprile
2007
Pedaling
Wine:
Sambuca
di Sicilia: Southern Wines from Northern Money...
Feudo
Arancio feels like a New World winery, a four-year-old,
massive city-block of a building, modelled after a cloister,
located on top of a beautiful hill in a part of Sicily
that could be anywhere in the world. That’s assuming,
of course, you’re in stunning, rolling wine country,
the sleepy horizon broken only with olive, orange, lemon
and Cyprus trees.
Flash a picture of this to any foreigner and you can bet
you’d hear the word ‘Tuscany’, first
sentence. What’s odd about Feudo Arancio, is that
there are no signs announcing the place whatsoever, not
in the parking lot, not on the building itself, not out
front, not even once you stumble inside and have actually
started doing something that feels a whole lot like trespassing.
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Through
an office window I see a sole human being, an attractive woman
that doesn’t look surprised to see me, nor bothered
by my presence. Five minutes pass and then she surfaces and presents
herself as Irene Luppino, in charge of Feudo Arancio’s External
Relations. She’s pretty, well-dressed and eager to show me
around and answer my barrage of questions, so eager in fact that
an hour into the tour I’m convinced she’s mistaken
me for someone else, someone much more important.
Do
you take this kind of time for everyone that comes, I ask. She
smiles the most incredible smile I’ve ever been responsible
for and my heart cracks. It’s a big, almost horse-like, generous
and toothy smile; Julia Robert’s long lost Sicilian cousin.
Each time she smiles I feel like I’ve done something meaningful,
almost noble and within minutes I notice what, in fact, is making
her smile, -what kind of questions and comments- and then like
an idiot I start to construct my sentences thusly, almost forgetting
about gathering any information about wine. At one point she asks
me if my face is always so red, or is it just from all the bicycling:
I catch my reflection in the polished surfaces of the stainless
steel tanks and realise that I’ve been blushing the entire
time.
I
ask Irene three, very pointed questions, to which she doesn’t
back down even a half-step. I ask, 1) Is Feudo Arancio seen internally
as really just a major must provider for Mezza Corona, 2) Why do
they make more non-autochthones-based wines than auctoctounous
and 3) How mixed are their wines and what do they hope to gain
from that mixing?
She
smiles again (and I quickly scan the room for a defibrillator)
and she says that, 1) Some of the must IS sent up north to round
out the Mezza Corona line, but that it isn’t the primary
purpose for the Sicilian operation. That, 2) the non-autochthonous
grape-based wines are market entry ones, that consumers are likely
to try an insolia only after they have tried and liked a chardonnay.
And further, that many New World shop-keepers shelf their wines
by grape, not brand nor nation. That it’s just simple marketing.
That, 3) Feudo Arancio doesn’t mix grapes at all: Their Grillo
is straight Grillo, their Cabernet straight Cabernet, etc.
I’ve been talking Sicilian wine fifteen hours a day for
a few weeks now and this is the most alarming news to date. It
simply doesn’t fit into my mental model, whatsoever. When
you ask other Sicilian producers, they will tell you that the so-called
International Varietals are used to round out and compensate for
the gaps that occur between indigenous grapes and what the international
market wants today, the Parker-esque, high-alcohol, dry but fruit-forward
powerhouses. But Feudo Arancio doesn’t mix their grapes at
all, and the only compensation going on, is where the wines fit
on the shelves around the world.
The
must question is an interesting one, something approaching a
dirty little secret in Italian wine. It’s so illegal to
chapitalize in Italy- adding table sugar to a wine to boost it’s
alcohol and thus body- that Irene says that they even have to report
how many sugar packets they use at the company coffee machine.
Many, many of your favourite central and northern Italian wineries
are actually rounding out their wines with must (grape juice, or
raw, unfermented wine) from the south, something to think about
the next time you see an article about ‘the power and structure
of Barolo’ or ‘the nobility of Barbaresco’. But
then again this is somewhat common knowledge, up there with the
fact that your supermarket Tuscan olive oil isn’t really
Tuscan (if it’s even Italian, it’s from the south)
or the amount of famously-celebrated vegetables that no longer
grow anywhere near the cities they were named after.
The
Feudo Arancio line is sort of the like the California-based Gallo
used to be, in that it produces good, solid wines that hover
around the 5 Euro mark (a bottle of their Grillo was excellent
and the most pristine example of the grape I’ve had, the
bottle coming in at Euro 4.20). It’s unlikely they will be
your favourite wines from Sicily, but it’s also unlikely
that you’d ever feel that your money was wasted on a bottle,
or that you’d be embarrassed to serve them to even cherished
guests. For North Americans and those in Northern Europe, these
wines represent serious competition to the New World wines you’re
drinking on Tuesday nights. (I didn’t think to ask for those
of you residing in Australia, New Zealand or South Africa, but
you can certainly find out on their site).
Mezza
Corona, a massive-industrial winery in Trentino, invested 45
million Euro in Sicilia. This is a drop in the bucket compared
to what Italy and the rest of Europe have invested in Sicilia,
the difference being that a private company is going to actually
micro-manage its investment, where as governments tend to follow
investments about as well as someone giving coins to a panhandler.
I’ve been to Mezza Corona and have had a number of their
wines over the years. I prefer their Feudo Arancio Sicilians, which
are gutsier, as opposed to what wine writers often refer to as ‘Northern
Austerity’, which to me is just another phrase for ‘boring
but expensive’. If you’re really interested in Sicily
and Sicilian wines, you’ll skip their French-based wines
but try their Grillo, Insolia and Nero d’Avola, which all
represent not only excellent value but intriguing wines based on
what are likely to be unfamiliar grapes. They’re wines that
somehow make the world seem a little bigger, that there is still
so much to learn about Italian wine, but in a good way.
I
spent the second half of the day at the ruins of Akragus at Agrigento,
wandering among throngs of tourists for the first time since
I’ve been in Sicilia. Elderly Germans snapped pictures.
Bus-fulls of Japanese all nodded when prompted by their ear-phoned
audio tours. Scottish children bellied up fallen pillars. I thought
about the role Sicily plays with respect to the outside world,
both what Sicilian wines represent when consumed in Sidney, Toronto
or San Diego, and too, how many foreigners are willing to take
the trouble to seek out that elusive algebra of influences that
sets Sicily apart from the rest of Italy.
In
my saddle bags I had a bottle of Feudo Arancio’s Grillo,
which I am drinking right now from the bottle, sitting up in the
hotel room bed, typing into this computer, my dusty red shoes,
connecting the two..
to
Images of Sicly-part 1
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Commenti:
Ciao Dottore Silvestri!
I am coming to your cooking school on May 6th. I look forward
to your stories of your adventure. I visited Sicilia on my first
trip to Italia about 40 years ago. I LOVED it! It was what made
me an "Italophile". I stayed in Taormina and visited
Agrigento and other historic sites. I was with the big (at that
time) office machine company Olivetti. This will be my 7th visit
to Italy and my first to the "Mezzogiorno". I am eager
to learn more about your beautiful country.
I remember the Siciliani as very welcoming and friendly.
Enjoy!
Jeff Denno
Merced, California
"Silvestro,
felt like we back in Lipari, as we were in '98. Hope you
have/had a chance to try the Ristorante Filippino (spelling?).
We had sea bass baked in a salt crust. Took home a bag of salt-packed
caperi. 'Squisito!"
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Follow Silvestro Silvestori, as he unpacks his bike and corkscrew in Marsala, Italy, and hits the road on the way to Lecce and the Awaiting Table Cookery School...... |
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