I’m
here in Calabria, in the beautiful town of Tropea, a charming,
white-sanded, beach-town, most associated in the Italian
mind, with the sweet red, almost candy-like onions of the
same name. And it just so happens to be onion season, the
knee-high green shoots ran in perfect rows alongside the
road into town the entire morning and afternoon, when I arrived
here. And even though it’s actually the red onion bulb
that is so famous all over Italy, it’s the green tops
that flavour the air here, the entire countryside charged
with the smell of freshly-cut chives and scallions.
Last
night I had dinner at a place benignly-called La Hosteria Italiana,
which I chose only because the owner happened to be out in
the street, really eager to meet me and had invited me in to
try some local wine, even if I chose not to stay for dinner,
he said. He said that there was a lot of great wine being made
here in Calabria these days, and he said it in a way that was
completely free of any sort of locale-based chauvinism. There
was something contained in the way he said ‘qua’- ‘here’,
something that you don’t always necessarily hear a lot
in the south, that there is a sense of ‘la’ –‘over-there’-
to which to compare it. He was about my age and his name was
Fabio. He grew up in Tropea, he said. What he didn’t say
but I still knew was that he also spent most of his life living
outside Tropea. You could tell it in the food, in the way he
talked about wine and the way he ran his business. Those that
never leave never really run this kind of restaurant. They never
know how to. Or maybe it’s just that they never want to.
It’s
curious how few of the great food authorities around the world
became so by staying put, especially those that cook, teach or
write about just that one place. To the Americans, Marcella Hazen
is the definitive Venetian culinary authority, yet she didn’t
grow up there. She moved to Venice later in life, and doesn’t
even live in Italy any more. Yet each of her books is considered
definitive on the subject. To the Brits, Antonio Carluccio is
the man, though he’s lived in England
more than he hasn’t. Julia Child, it’s been said,
was neither ‘French’ nor a ‘Chef’, yet
was able to explain her subject in ways that a real French Chef
wouldn’t have been able to, regardless of language. These
aren’t exceptions but the norm.
I
ate some bread-crumbed, fried goat cheese, topped with a sweet
onion relish, a portion of squiggly pasta in zippy, ‘nduja’-spiked
tomato sauce and then grilled sword fish served with a sort of
instantly-pickled zucchini, a variation on a sort of vegetable
scapece (escabeche in Spanish). The techniques were clean, the
plates oversized and white, the flavour pure and straightforward.
There was a whiff of ‘tall food’. A few sauces were
drizzled, just so. Yet the overall effect was the food from Calabria,
not reinvented but simply updated. Keep the painting, just update
the frame. It was the best meal I’d had in a week, and
I was the only one in the place.
Fabio
recommended that I drink a wine from Cirò, but
one not made in the Cirò-style, something I haven’t
seen since Marsala (wine zones famous for producing a single
wine that had fallen out of favour, now producing newer styles).
I lived 15 years in Bologna, Fabio said. I ran my own restaurant
there but I just moved back. Now I feel recharged about the foods
I grew up with. I really love them all over again. I see the
dishes clearly and I want to express them in ways that those
from outside can really, really understand.
I
knew the move hadn’t been easy, as Tropea is stunning,
but still a small, southern town, the kind of holiday place that
is great to visit but difficult to which to relate on a daily
basis. It’s the kind of complaint you can never find sympathy
for, that you live in paradise and that everything is quaint,
charming and painfully, painfully provincial. He poured me some
dessert wine as we discussed the difficulty of opening one’s
own business, the modern dating dearth in the south of Italy,
the occasional pains of bachelorhood-- his open vulnerability
over the matter of having recently turned into a gee-whiz resolve,
not unlike my own. I feel asleep listening to the waves lap the
white sandy shore, the open pane of my hotel window perfectly
reflecting the moon.

As
I pulled out of town this morning, I passed several menus
posted out in front of other restaurants in Tropea. A few
dishes sounded good, the mention of ‘nduja’ on one even
caused my mouth to fill with a salty gush of saliva. But I know
as well as you do, that the next time you’re in the dentist
office or waiting for an airplane and you flip open a magazine
with article about Calabria, it will be Fabio’s place you
read about, not the more traditional places maintained by those
who have never left. It’s always a simple matter of ‘la’ and ‘qua’.
to
Basilicata